In his first publishing venture, photographer James Macari works within an exploration of lust,
love and a celebration of ones independence.The first of an intended series of publications,
IV. is a work in observance of its characterís treatment; a rather short lived need of love, while
continuing to maintain her inclusive autonomous nature. The
narrative parallels itís character with the life cycle of the Saguaro cactus, which similarly mirrors
a life pattern of love, loss and independence.
IV. is a large format, black and white cinematically structured book, with unhinged score binding,
and large poster panel pages. The narrative is traced from morning to night, altering mood
through light, while remaining true to the style of Jamesís photography.
The sensual appearance changes from a soft tone to a harder sticky feel, showcasing the aesthetic
and technical range within the story.
Not the usual portrayal of love, IV. sets the power of the relationship squarely in the lap of its
female character, thus giving us a different perspective on love and desire, while also shadowing
the life cycle of the Saguaro cactus.
James Macari, born in Dallas Texas in 1973, studied photography at Univ. of Oklahoma, then
quickly moved to New York to work under photographers Richard Avedon and Patrick Demarchelier,
both masters of contemporary photography. During these apprenticeships James
forged his perfection of light and technique.
Through his easy-going, provoking, humorous demeanor James is known for his connection
between camera and model, which gives his work a feeling of intimacy, and a closeness to itís
subject as exemplified in this publication.
Co-creative direction and design in this endeavor was worked on by Rachael Bergstein. Under
the influence of her father, a creative/art director since the early 70ís, Rachael holds the artistic
path in her blood.